When you've been in Hollywood as long as Michael Keaton has, you've probably seen a lot of weird stuff created by fans -- a lot of signs and strange drawings and maybe a wacky letter here and there -- and although that sounds a little off-putting, Keaton is into it. At least, he's into it when your fan art is good, as was the case with a 'Beetlejuice' tattoo he spotted during a late night shoot on his upcoming 'Birdman.'
For the better part of 2014, Shia LaBeouf's antics were the talk of the gossip world. Can we even call them just "antics"? There was an arrest and an art installation, after all. Things were just weird, okay? The actor seems to have recovered from whatever was addling him, and he recently hit the talk show circuit in support of his upcoming World War II film, 'Fury,' a tour that inevitably results in his having to talk about, well, everything.
If you enjoyed Jared Leto's take on the 'Intense Staredown' segment from 'The Tonight Show' -- okay, it was good, it really was -- you're going to love Robert Downey Jr.'s spin. 'The Judge' star hit the show last night to chat about all kinds of things with host Jimmy Fallon, but the uncontested highlight of his visit was the truly intense stare-off between the two.
Attention, animal lovers! We've got a brand-new ambassador of adorableness for you to honor. Kristen Stewart hit 'The Tonight Show' to talk about her latest film, the drama 'Camp X-Ray,' and host Jimmy Fallon couldn't pass up the chance to ask her about the latest addition to her family. Turns out, Stewart is a big animal fan, and she's recently expanded her dog brood to include a new -- and very lucky -- little pup.
Have you ever wondered what Gotham City is really like? (For the sake of this exercise, please ignore that the city is a fictitious comic book construction.) Do the people there really care about Batman? What else does the city have to offer both residents and visitors? Is it nice? Where is it located? All these questions and more...well, might not be actually answered by this hilarious 'Late Night With Seth Meyers' sketch, but it comes pretty close.
Jennifer Garner is extremely good at Catchphrase. The 'Men, Women & Children' actress hit 'The Tonight Show' last night to chat about a variety of things -- from her new film to, oops, that one time her entire family got head lice -- but she really hit her stride when it was time to play Catchphrase with host Jimmy Fallon.
"Tyler is a well-known remote control enthusiast." Did you know that about Tyler Perry? You didn't? Well, Jimmy Fallon sure did, but that didn't stop the 'Tonight Show' host from attempting -- again! -- to best the Hollywood multi-hyphenate in yet another remote-controlled challenge.
Rising star Miles Teller has already gotten a lot of attention for his next role: starring in the jazzy thriller 'Whiplash' as a young drummer (of the jazz variety) who finds himself pushed to the breaking point by a somewhat crazy (and definitely offensive) teacher, played by J.K. Simmons. The film is pretty heavy on the music, and within minutes, it's obvious that Teller couldn't have faked the musical side of his performance. Like, at all.
The nerds are Clark Gregg's people. The star of (what is it now? approximately 78?) Marvel's many films and television's 'Agents of S.H.I.E.L.D.' has found his home amongst his many fans, especially those who attend the year's various Comic-Cons. Fresh off yet another Comic-Con, Gregg hit 'Jimmy Kimmel Live' to chat about the experience with host Jimmy Kimmel. In short, he loves it. But, then again, it seems like Gregg relishes his now-trademark role as Phil Coulson, well, just kind of a lot.
Bestselling author Gillian Flynn may have penned the script for the very first film based on one of her novels -- David Fincher's 'Gone Girl' -- but that doesn't mean that the writer balked at slicing and dicing her own work. We've known for a quite some time (since January, when Fincher's film was the cover story on Entertainment Weekly, to be precise) that Flynn had changed her own story for the big screen, with a big emphasis placed on mixing around the feature's third act.
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